Sound Editing Awards 2014, vincitori: Game of Thrones meglio di tutti

Sono stati annunciati a Los Angeles i vincitori degli MPSE Sound Editing Awards 2014, i premi assegnati alle eccellenze della televisione e del cinema del 2013 in fatto di effetti sonori.

Nelle categorie seriali trionfa ancora una volta Game of thrones, che in quanto a premi tecnici pare essere inavvicinabile: la serie HBO si è aggiudicata due riconoscimenti, quella della categoria Short Form – Dialogue and Adr e quello per la categoria Short Form – Music entrambi per l’episodio The Rains of Castamere. Si portano a casa un premio anche Breaking Bad (Short Form – Sounds Effects and Foley) per l’episodio Felina, The Bridge (Long Form – Dialogue & Adr) per il pilot e Sons of Anarchy (Long Form – Sounds Effects and Foley) per l’episodio Salvage.

Prima di lasciarvi alla lista completa dei vincitori vi ricordiamo che potete leggere i vincitori dei Sound Editing Awards 2014 cinema su Cineblog.

TV/FEATURE ANIMATION & DOCUMENTARY

BEST SOUND & MUSIC EDITING: TELEVISION ANIMATION FAIRLY ODD PARENTS “DUMBBELL CURVE” (NICKELODEON )
Directed by: Randy Myers, Michelle Bryan
Produced by: Butch Hartman, George Goodchild

Nominees:
Supervising Sound Editor: Heather Olsen, MPSE
Sound Designer: Heather Olsen, MPSE
Supervising Foley Editor: Roy Braverman
Supervising Dialogue Editor: Robbi Smith, MPSE
Foley Artist: John Lampinen

BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY SHORT FORM

NORTH AMERICA: NO PLACE TO HIDE (DISCOVERY CHANNEL)
Produced by: Keith Scholey, Christine Weber

Nominees:
Supervising Sound Editors: Kate Hopkins, Tim Owens
Sound Effects Editor: Stephen Griffiths
Assistant Dialogue Editor: Owen Peters
Music Editor: Michael Baber

BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY LONG FORM

DEADLIEST CATCH: THE FINAL BATTLE (DISCOVERY)
Directed by: Jared Cook
Produced by: John Gray

Nominees:
Supervising Sound Editor: Bob Bronow, CAS
Sound Designer: Bob Bronow, CAS
Sound Effects Editors: Kevin Skaggs, Selina Zakaria
Dialogue/ADR Editor: Jason Tuttle
Dialogue Editors: Kevin Skaggs, Edward Rodriguez
Music Editor: Doug Kern

BEST SOUND & MUSIC EDITING: COMPUTER EPISODIC ENTERTAINMENT

MORTAL KOMBAT: LEGACY SERIES II – EP.4 (Warner Premiere)
Directed by: Kevin Tancharoen
Produced by: Kevin Tancharoen

Nominees:
Supervising Sound Editor: Michael Babcock
Sound Designers: Michael Babcock, Tim Gedemer
Supervising Foley Editor: Jeff Sawyer
Foley Artist: Gregg Barbanell
Sound Effects Editors: Ian Herzon, Bryan Jerden

BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC

GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
Directed by: David Nutter
Produced by: David Benioff, D.B. Weiss

Nominees:
Supervising Music Editor: David Klotz

BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL

PEG + CAT: THE BEETHOVEN PROBLEM (PBS)

Directed by: Jennifer Oxley, Billy Aronson, Cory Bobiak
Produced by: Alia Nakashima, Jaclynn (Demas) Gennawey

Nominees:
Supervising Music Editor: Steven Rebollido
Music Editors: J. Walter Hawkes, Daniel Mennella

BEST SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE AND ADR

GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)
Directed by: David Nutter
Produced by: David Benioff, D.B. Weiss

Nominees:
Supervising Sound Editor: Tim Kimmel
Supervising Dialogue Editor: Jed Dodge
Supervising ADR Editor: Tim Hands
ADR Editors: Ruth Adelman, Martin Mahon

BEST SOUND EDITING IN TELEVISION: SHORT FORM – SOUND EFFECTS AND FOLEY

BREAKING BAD: “FELINA” (AMC)
Directed by: Vince Gilligan
Produced by: Diane Mercer, Bryan Cranston

Nominees:
Supervising Sound Editor: Nick Forshager
Foley Artists: Gregg Barbanell, Dominique Tabach Decaudain
Sound Effects Editors: Mark Cookson, Cormac Funge
Foley Editors: Timothy Boggs, Jeff Cranford

BEST SOUND EDITING IN TELEVISION: LONG FORM – MUSIC, MUSICAL

HISTORY OF THE EAGLES: PART ONE (SHOWTIME)
Directed by: Alison Ellwood
Produced by: Alex Gibney, Blair Foster

Nominees:
Music Editor: Annette Kudrak

BEST SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE & ADR

THE BRIDGE: “PILOT” (SHINE AMERICA)
Directed by: Gerardo Naranjo
Produced by: Meredith Stiehm, Elwood Reid

Nominees:
Supervising Sound Editor: Mike Marchain
Supervising Dialogue/ADR Editor: Mike Marchain
Dialogue Editors: Paul Longstaffe, Charles Kolander, Robert Guastini, MPSE

BEST SOUND EDITING IN TELEVISION: LONG FORM – SOUND EFFECTS AND FOLEY

SONS OF ANARCHY: “SALVAGE” (FX NETWORK)
Directed by: Adam Arkin
Produced by: Kurt Sutter, Craig Yahata

Nominees:
Supervising Sound Editor: Erich Gann
Sound Designers: Robert Costanza, Mike Dickeson
Supervising Foley Editor: Bill Bell
Foley Artists: Tim Chilton, Jill Sanders
Assistant Sound Editor: Kevin Meltcher